a b c d e f g h i j k l m n o p q r s t u v w Maskiell, Michelle (Spring 2002). "Consuming Kashmir: Shawls and Empires, 1500–2000". Journal of World History. University of Hawai'i Press (on behalf of World History Association). 13 (1): 27–65. doi: 10.1353/jwh.2002.0019. JSTOR 20078943. S2CID 144868279. We guarantee that you’ll find the flawless handcrafted designer Kashmir Shawl destined to infuse a whole new dimension of wear-ability to your already tasteful wardrobe. I loved this book. The writing is gorgeous. I found myself rereading passages to savor the words. That is, until I got caught up in the story! Now I am planning to reread the book so I can appreciate the writing skill that is so evident. We know you’ll discover the right designer Kashmir Shawl or Scarf for ANY occasion in our elite Seasons Collections!

India to Europe: The Production of the Kashmir Shawl and From India to Europe: The Production of the Kashmir Shawl and

These centuries-old iconic trendsetting staples of royalty have once again caught fire in the most influential culture-capitols of the world. Michele Maskiell, “Consuming Kashmir: Shawls and Empires, 1500–2000,” Journal of World History 13, No. 1 (Spring 2002): pp. 48-52 Ron Rash is renowned for his writing about Appalachia, but his latest book, The Caretaker, begins ... Wingate, Isabel Barnum (1979). Fairchild's dictionary of textiles. Internet Archive. New York: Fairchild Publications. p.547. ISBN 978-0-87005-198-2. I do admire authors who have researched their books well and give a true flavour of places they write about.Thomas weaves two stories together into a romantic epic: Mair’s search for the origins of the shawl (as well as a search for her own future), and the historical story of her grandparents, particularly her grandmother’s experiences in 1940s Kashmir. I found the historical story much more interesting, if a bit melodramatic.

The Kashmir Shawl: a sweeping, epic historical WW2 romance

Kashmir was a pivotal point through which the wealth, knowledge, and products of ancient India passed to the world. Perhaps the most widely known woven textiles are the famed Kashmir shawls. The Kanikar, for instance, has intricately woven designs that are formalized imitations of Nature. The Chinar leaf ( plane tree leaf), apple and cherry blossoms, the rose and tulip, the almond and pear, the nightingale—these are done in deep mellow tones of maroon, dark red, gold yellow and browns. Yet another type of Kashmir shawl is the Jamia Vr, which is a brocaded woollen fabric sometimes in pure wool and sometimes with a little cotton added. [4] Brooklyn Museum - Doña Josefa de la Cotera y Calvo de la Puerta - Mexican overall Valued for its warmth, light weight and characteristic buta design, the Kashmir shawl trade inspired the global cashmere industry. The shawl evolved into its high-grade, sartorial use in the 13th century and was used in the 16th century by Mughal and Iranian emperors, both personally and for honouring members of their durbar. In the late 18th century, it arrived in Britain, and then in France, where its use by Queen Victoria and Empress Joséphine popularised it as a symbol of exotic luxury and status. The Kashmir shawl has since become a toponym for the Kashmir region itself (cashmere, named after Kashmir), inspiring mass-produced imitation industries in India and Europe, and popularising the buta motif, today known as the Paisley motif after the factories in Paisley, Renfrewshire, Scotland that sought to replicate it. It is 1941 and World War II has engulfed the globe. Newlywed Nerys Watkins leaves rural Wales for the first time in her life, to accompany her husband on a missionary posting to India. When her husband leaves her in the exotic lakeside city of Srinagar to take on a more dangerous mission, Nerys discovers a new world. Here, in the heart of romantic Kashmir, the colonists dance, flirt, and gossip as if there is no war. Nerys becomes caught up in a dangerous liaison, and by the time she is reunited with her husband, she is a different woman. I learned a lot about India that changed my perspective on the current situation with China, Nepal, India, Bangladesh and Pakistan. I also enjoyed learning a bit about World War II and British India. Mair's father has recently died, and in clearing out the family home with her brother and sister, she finds a beautiful hand-made Kashmir decorative pashmina shawl that belonged to her maternal grandmother, Nerys, who spent the years around WWII in Kashmir, as a missionary's wife, with the British Raj gradually disintegrating.The embroidery stitch employed is rather like the parallel darning stitch and is rarely allowed to penetrate the entire fabric.

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Interspersed between chapters about Mair's current day travels, is a much more interesting journey through the same country with Nerys Watkins and her missionary husband, Evan, and her two close friends, Myrtle McMinn and Caroline Bowen. This was the section that really grabbed me and the characters that stood out. a b c d e f g h i Daly, Suzanne (2011). The Empire Inside: Indian Commodities in Victorian Domestic Novels. Ann Arbor: University of Michigan Press. ISBN 978-0-472-07134-0. OCLC 617509005. Woven from the hair of pashmina goats that thrive on the high plains of Tibet and Nepal, luxuriously soft Kashmir shawls have been worn since antiquity. In Asia they were favoured by royalty — when they reached Europe, even Napoleon took note… The Kashmir shawl is closely associated with the Paisley shawl. The paisley design, originating in the buta, derives its name from the town of Paisley in Scotland, which became famous in the early 19th century for its imitation Kashmir shawls with the buta motif. [11] After 1850, many English speakers used to refer to any shawl with the buta design, Kashmiri or otherwise, as a Paisley shawl. [11] Missing fundamentals of the craftsmanship, imitations such as the Angola were short-lived. [12] [13] History [ edit ]a b c d e f g h Irwin, John (1973). The kashmir shawl. London: H.M. Stationery Off. ISBN 0-11-290164-6. OCLC 3241655.