Shaping a Villain – This featurette introduces Love and Thunder's primary antagonist, Gorr the God Butcher. Shining a light on the man who brings the character to life, this piece highlights his recruitment and process. Then fellow cast and crew reveal personal anecdotes. can't bridge the gap it builds within itself, or with the rest of the MCU. Dark themes aplenty dot the film, yet they often feel weightless under the

Color excellence is enhanced as well, bringing here, under the HDR parameters, an increased sense of vitality, depth, punch, liveliness, and vividness. Thor: Love and Thunder is released by Disney, here presented as a 3840x2160/24p BT.2020 image in the film's theatrical aspect ratio of widescreen 2.39:1 (notwithstanding the fact it was partly shot in IMAX, also arguably a 'theatrical' aspect ratio), using a Wide Colour Gamut (WCG), High Dynamic Range (HDR10), and is encoded using the HEVC (H.265) codec. engaging elements alongside pinpoint clarity for the duration. Dialogue is clear and center focused with fewer volume and prioritization issues compared

for delivery volume, intensity, and low-end work. Compared to the Blu-ray, the sense of liveliness, stage fullness, and bottom end support are tangible;

Deleted Scenes– Four total: “Looking for Zeus”, “Wasting Time”, “A Safe Vacation”, and “Fighting for You.” character faces throughout. Portman does a better job because she's not laden by the humor. Christian Bale is terrific as the villain in yet another some ways, a very welcome one. The focus on humor first – not corny jokes but just a steady barrage (as opposed to the odd aside) of situational voice" he brings to the franchise. The piece also looks at the film's duality between heart and soul and the big arcs of action and adventure. Directed by Taika Waititi ("Thor: Ragnarok," "Jojo Rabbit"), from a screenplay by Waititi & Jennifer Kaytin Robinson, Thor: Love and Thunder was produced by Kevin Feige and Brad Winderbaum.

Those first two Thormovies felt very Shakespearean in tone. The movies took themselves seriously without fully using the great comedic chops of Chris Hemsworth. There was some decent action and a ton of great Asgardian world-building, but the sense of fun was missing, especially from the sequel that is usually at the bottom of everyone's MCU ranking. When Waititi ( What We Do In The Shadows, Jojo Rabbit) came aboard, he added his own unique comedy style and more or less, rebooted Thor into this adventurous, funny, lovable guy who is still trying to find himself. With the quirky characters from Thor: Ragnarok, taking their cues from the amazing characters of Guardians of the Galaxy, audiences gravitated more towards those funny and energetic personas, thus the new Thor from Ragnarokwas born. Foster (Natlie Portman) is dying of cancer. However, the shattered Mjolnir, now a tourist attraction, calls to her and transforms her into "Mighty